Categorically mannequins are
articulated dolls used by tailors, window dressers, artists to display their
clothing. An artist’s jointed model carries the ‘word history’ from France to
the flemish ‘manekken’. In the visual merchandising and fashion industry, they play a very major role. The mannequins ‘were’ and ‘now’ are
extensively used for shop display purposes.
In this blog, we’ll figure out different time assortments from history, to the present, and to the future. As the mannequins carry a rich history, it will be more interesting to map out their roots to the present day.
In the past hundred years,
figures are changing to reflect advents of window shopping, subversive
androgyny, liberation for women, wartime rationing, fetishism in barbies,
fiberglass, and Twiggy. Shapes rotate from poles to lunettes and backgrounds.
To date, models reflect changing stances on the female form, patterns of
consumer behavior, material and technological developments, which are symbols
repping each era.
Let’s take the historical
chronology era-wise -
- 1900-1910
The
mannequin evolution from a headless doll to a human figure is synonymous with
the Industrial Revolution when the manufacturing plates, sewing machines, and
electricity were readily available to transform the shop front into open air
space. This period marks the beginning of the bourgeois activities of 'window
shopping,' with mannequin models of recent fashions at the center. The average
price of a mannequin at that time was $15.
- 1910-1920
When the
First World War started in 1914, women were carrying out labor-intensive work
in industries like arms, replacing men who had been recruited to the front
line. Mannequins reflect this social
change by shedding their hats, unlacing the corsets, uncovering the knees and
anchors, and flattening the Victorian mono-breast. The mannequins were more
relatable as women were becoming more practical.
- 1920-1930
By the
1920s, the formal, straight victorian woman had left and been replaced by the
easy, boyish, and androgynous flapper who possessed a slim, straight, and flat
chest figure. Mannequins of this
period emulate this change of preference and simultaneously reveal the
influence and geometrical representation of the human form on art deco and art
nouveau movements.
- 1930-1940
The Great
Depression began in the 1930s and displaced the 1920s by a more conservative
approach towards fashion. Mannequins become softer and glamorous features like
high cheekbones and oval faces were added to beautify.
- 1940-1950
During
World War II, the shop window was subdued. Bright clothes were replaced by dark
expressions as they evoke a sense of patriotic duty. The silhouette was getting
slimmer and less adorned and the mannequins were made shorter than their
predecessor to conserve valuable resources.
- 1950-1960
In the
1950s, American consumerism boomed, and models became more uniform in form and
size, reflecting the ideal idea of the female form in shops around the country.
The mannequins were modeled with
tiny defined waistlines, rounded hips, high busts, and sloping shoulders just
like the most populous movie star of that era, Marilyn Monroe.
- 1960-1970
Mannequins
of the 60s embody the changing standards of the beauty of the sexual
revolution. If to ignore the shape and size of the average consumer, though
they appear different in style from the previous decade. The period represents
the era of "The Supermodel". Fiberglass was introduced in the
material base of the mannequin as it makes it lighter and sturdier.
- 1970-1980
In
opposition to the glamorous, recognizable celebrity mannequin from the 1960s, mannequins from the '70s become more
abstract and faceless – slowly turning into headless drone-like figures that
gain fugitive popularity in the 1990s. They were particularly painted in solid
black/grey/white color.
- 1980-1990
A sharp
focus on health and fitness was created by rejecting the unhealthy attitude of
the body image, which took center stage in the 60s, whose devastating
consequences were evident in the ‘70s. Mannequins
were made with realistic and toned characteristics in response to the above
rejection.
- 1990-2000
The 90s represented a "heroine-ic" trend, a decade in which the unattainable thin figure of supermodels such as Kate Moss prevailed as the ideal women's shape. Over this period, retailers in plus-size and fashion became more popular, and thus, larger mannequins that were close to the average woman emerged in the markets. Narrowed hips, straight shoulder lines became popular as the toned body fashion boomed.
“Today’s Talk”
In contrast to the early 20th century, the majority of the mannequins that we see in the shopfront are now 8-10 rather than 14 (like earlier). And fashion companies show no signs that they will soon change their models. For the most part, commercial models today have moved from realism or variation completely, but in the past 100 years, they have slowly transformed into faceless, block-colored drones. Women started to achieve so-called ‘beauty with plastic surgery and botox treatments, these mannequins have also started mirroring them.
If to discuss The
Future, mannequins will shape more effectively, moreover, technology
like augmented reality can escape the scope of future mannequins, as people will experience more by fitting the outfits
on their own bodies. Similar to the fashion and visual merchandising industry, advancements will be seen in order
to the growth (scientifically and material-wise). But as witnessed that the
past trends tend to return with greater interest, same can be done with
merchandising industry, victorian mannequins can be seen on the streets with
recurring fashion trends,
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